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By the turn in the 20th century, amateur advisors and publications were increasingly challenging the monopoly the large retail companies had on design. English feminist author Mary Haweis wrote several widely read essays within the 1880s through which she derided the eagerness that aspiring middle-class people furnished their houses good rigid models wanted to them with the retailers.[10] She advocated the average person adoption of your particular style, tailor-made to the consumer needs and preferences on the customer:

"One of my strongest convictions, and one in the first canons of fine taste, is the fact our houses, such as the fish’s shell as well as the bird’s nest, need to represent our individual taste and habits.
The move toward decoration as being a separate artistic profession, unrelated on the manufacturers and retailers, received an impetus together with the 1899 formation on the Institute of British Decorators; with John Dibblee Crace since its president, it represented almost 200 decorators round the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, that 10 were women. Rhoda and Agnes Garrett were the primary women to learn professionally as decorators in 1874. The importance of their work towards design was regarded back then as over a par achievable of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their applying for grants artistic home design to a wide middle-class audience.[12]

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