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By the turn with the 20th century, amateur advisors and publications were increasingly challenging the monopoly which the large retail companies had on design. English feminist author Mary Haweis wrote a few widely read essays inside the 1880s by which she derided the eagerness in which aspiring middle-class people furnished their houses in line with the rigid models accessible to them through the retailers.[10] She advocated the person adoption of an particular style, tailor-made to the person needs and preferences with the customer:

"One of my strongest convictions, and one from the first canons of a good taste, is our houses, such as fish’s shell as well as the bird’s nest, really should represent our individual taste and habits.
The move toward decoration being a separate artistic profession, unrelated for the manufacturers and retailers, received an impetus using the 1899 formation from the Institute of British Decorators; with John Dibblee Crace since its president, it represented almost 200 decorators round the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, that 10 were women. Rhoda and Agnes Garrett were the primary women to practice professionally as interior designers in 1874. The importance of their work with design was regarded back then as with a par to be able of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their tips on artistic design to a wide middle-class audience.[12]

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